But the Ertegun brothers held the majority of stock while Wexler controlled about 20 percent. in large type (which spawned copycat vandalism). The Vice President of Student Records and College Registrar provides the statewide vision and leadership for the student records enterprise at Ivy Tech Community College. ", Atlantic suffered a catastrophic loss in the early morning of February 8, 1978, when a fire destroyed most of its tape archive, which had been stored in a non-air-conditioned warehouse in Long Branch, New Jersey. The ideal candidate will develop new . The Head of Enabling Services domains includes but is not limited to Finance Systems, Supply Chain Systems, Human Capital Management Systems, Legal systems, and other miscellaneous applications. The kids won't know where it is you've got to put extra drums on it." February 4, 2011 2:39am. Reissue producers and archivists subsequently located some tapes that were at first presumed 'lost', but which had survived because they had evidently been removed from the New Jersey archive years earlier and not returned. Despite the huge success Atlantic was enjoying with its own artists and through its deal with Stax, by 1967 Jerry Wexler was seriously concerned about the disintegration of the old order of independent record companies and, fearing for the label's future, he began agitating for it to be sold to a larger company. The band recorded for Atlantic Records, Roulette Records, United Artists, and DCP Records as Jerry Green and The Passengers. From this point, and notwithstanding the impact of the punk/new wave movement in the late 1970s, the band enjoyed an extraordinary run of successbeginning with their fourth album Fragile, each of the eleven albums they released between 1971 and 1991 (including the lavishly packaged live triple-album Yessongs) made the Top 20 in the US and the UK, and the double-LP Tales of Topographic Oceans (1973) and Going For The One (1977) both reached #1 in the UK. 5[30] (although The Crew-Cuts' version went to No. A subsidiary label, Atco, was established in 1955 to keep Abramson involved. In 1953 (according to Billboard) Atlantic was the first label to issue commercial LPs recorded in the experimental stereo system called binaural recording. [31] Ertegun and Wexler realized many R&B recordings by black musicians were being covered by white performers, often with greater chart success. Passengers on the new route will travel aboard Boeing 787-9 Dreamliner aircraft configured . Leiber and Stoller told Ertegun they had no intention of buying him out, but Ertegun was aggravated by Goldner's attitude and was convinced Wexler was conspiring with them. [50], Leiber and Stoller worked briefly for United Artists, then started Red Bird with George Goldner. [5], Atlantic's New York studio was the first in America to install multitrack recording machines, developed by the Ampex company. Atlantic Records. Join to view profile Atlantic Records. In February 1953, Herb Abramson was drafted into the U.S. Price previously served as senior vice president of Business and Legal Affairs at 10K Projects, an independent record label. [88], Time Warner sold Warner Music Group to a group of investors for $2.6 billion in late 2003. But joy also comes in birthing the babies who we continue to build and develop you never know whos going to become our next superstar!. The soul/country & western crossover predated Ray Charles' similar venture by more than 6 months. When interviewed in 1990 for Ertegun's biography, Wexler declined to discuss the matter, but Ertegun claimed these negotiations were a plan to buy him out. In 1953, after learning that singer Clyde McPhatter had been fired from Billy Ward and His Dominoes and was forming The Drifters, Ertegun signed the group. Stereo versions of Ray Charles "What'd I Say" and "Night Time is the Right Time" were included on the Atlantic anthology The Birth of Soul: The Complete Atlantic Rhythm & Blues Recordings, 19521959. And Julie Greenwald is a great role model since she is an executive without peer., Although formats and platforms and so much else about the music business has changed over the years, the basics of breaking a song remain the same (to paraphrase a legendary Atlantic artist). Union College. Greenberg served as President and CEO of MJJ Music from 1993 to 2000. Vice President of A&R at Atlantic Records Los Angeles, California, United States. Sadi Koylan. 1), "Baby, I Love You" (Soul No. [5] Ertegun hired Billboard reporter Jerry Wexler in June 1953. However, she is quick to share credit not just with the companys leaders and her teams over the years, but also for the guidance she received along the way. [26] He had been living in Los Angeles for several years and had intermittent contact with his younger brother. [5] Ahmet ostensibly stayed in Washington to undertake post-graduate music studies at Georgetown University but immersed himself in the Washington music scene and entered the record business, which was enjoying a resurgence after wartime restrictions on the shellac used in manufacture. 7, selling over one million copies and becoming the bestselling song of the year for Decca. In 1961, he left the label, returned to Los Angeles, and founded Philles Records with Lester Sill. The signing was complicated by the fact that Nash was still under contract to Epic Records (The Hollies' US distributor), but Ertegun used his diplomatic prowess to overcome this by arranging a 'swap' he released former Buffalo Springfield member Richie Furay from his Atlantic contract, allowing Furay's new group Poco to sign to Epic, and in exchange Columbia Records (the parent company of Epic) allowed Nash to sign to Atlantic. 1 in September 1951. [82][83][84] The four-story warehouse, located at 199 Broadway, was the former location of Vogel's Department Store, before it closed down in March 1975. The audit revealed Leiber and Stoller had been underpaid by $18,000. Variety and the Flying V logos are trademarks of Variety Media, LLC. 21 albums were released simultaneously in 1965,[45][46] all of them shown on the back cover of their releases. Later that year The Clovers' "One Mint Julep" reached No. In the years that followed, Foreigner became one of Atlantic's biggest successes, and one of the biggest-selling groups in history, scoring a string of international hits and selling more than 80 million albums worldwide, including 37.5 million albums in the US alone. She was injured in a car accident en route to New York City, but Atlantic supported her for nine months and then signed her. He produced "Twist and Shout" for The Top Notes, and it flopped. Atlantic Records was founded in September 1947 in New York City and incorporated in October 1947 with Abramson as president, Etregun vice-president in charge A&R, production and promotion. [14], Ertegun and Abramson spent much of the late 1940s and early 1950s scouring nightclubs in search of talent. Wexler oversaw production himself at Fame Studios in Muscle Shoals, Alabama. 1 on the R&B chart and No. [19] After Brown left the label in 1961, her career declined, and she worked as a cleaner and bus driver to support her children. Atlantic Records. [5], Although Leiber and Stoller wrote many popular songs for Atlantic, their relationship with the label was deteriorating in 1962. After buying Elektra Records and its sister label Nonesuch Records in 1970, Kinney combined the operations of all of its record labels under a new holding company, WEA, and also known as Warner Music Group. [24][25], Atlantic was one of the first independent labels to make recordings in stereo: Dowd used a portable stereo recorder which ran simultaneously with the studio's existing mono recorder. The demo tapes of the songs that eventually became their debut album (including the song "Feels Like The First Time") were famously rejected by almost every major label, including Atlantic although their tenacious manager Bud Prager later revealed that, in retaliation for a previous bad deal, he deliberately didn't approach CBS ("They had screwed me out of a lot of money, so I figured I would screw them out of Foreigner. Atlantic's regret was undoubtedly heightened when Gabriel achieved huge international success with his fifth album So (1986), which reached #1 in the UK and #2 in the US and sold more than 5 million copies in the US. 2 after spending almost six months on the Billboard R&B chart although McGhee himself earned just $10 for the session. 2023 Variety Media, LLC. NEW YORK (CelebrityAccess) - Erika Clark has been promoted to Vice President (VP) of Media Relations at Island Records by Executive Vice President of Media Relations Lauren Schneider, to whom Clark will report. So significant was Brown's success to Atlantic that the label became known colloquially as "The House That Ruth Built". Miriam Bienstock called him "a pain in the neck". Two members of The Robins formed The Coasters and recorded hits for Atlantic, such as "Down in Mexico" and "Young Blood". 1957 - Gerald L. Greenberg from New Haven, CT formed his own band. Vice President of Radio Promotion and Artists and Repertoire, WTG (Walter (Yetnikoff), Tommy (Motolla), Gerald (Greenberg) Records, Learn how and when to remove these template messages, reliable, independent, third-party sources, Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Jerry_L._Greenberg&oldid=1119634965, Articles lacking reliable references from April 2014, BLP articles lacking sources from April 2014, Articles with multiple maintenance issues, Articles with dead external links from April 2017, Articles with permanently dead external links, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 2 November 2022, at 16:23. 1980 - Jerry Greenberg becomes a consultant to Atlantic while forming his own label with his brother, Bob Greenberg, called Mirage Music; Jerry remained on the East Coast, Bob on the West Coast. Sill recommended Spector to Leiber and Stoller, who assigned him to produce "Corrine, Corrina" by Ray Peterson and "Pretty Little Angel Eyes" by Curtis Lee. 1972 - Within five years, Greenberg held two titles; Vice President of Radio Promotion, and Vice President of Artists and Repertoire for Atlantic Records. [81] They released his fourth solo album (a.k.a. Despite all the resistance, Kalodner's belief in Foreigner was totally vindicated by the group's massive success their 1976 debut single "Feels Like The First Time" reached #4 on the Billboard singles chart, their self-titled debut album sold more than 4 million copies, and the subsequent singles from the album kept the group in the US charts continuously for more than a year. 1, Pop No. Army. Spector became one of the most successful record producers of the 1960s. Over the next four years he was instrumental in signing a string of major acts including Foreigner, AC/DC, Peter Gabriel and Phil Collins. 2 in the US and No. 1, Pop No. [15], In late 1947, James Petrillo, head of the American Federation of Musicians, announced an indefinite ban on all recording activities by union musicians, and this came into effect on January 1, 1948. [26] In this system, recordings were made using two microphones, spaced at approximately the distance between the human ears, and the left and right channels were recorded as two separate, parallel grooves. In the meantime, original lead singer Peter Gabriel had left the group in 1975, followed in 1977 by lead guitarist Steve Hackett, reducing the group to a three-piece. 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Among its acts were the post-Curtis Mayfield Impressions, Slave, Brook Benton, Jean Knight, Mass Production, Sister Sledge, The Velvet Underground, Stacy Lattisaw, Lou Donaldson, Mylon LeFevre, Stevie Woods, Johnny Gill, Emerson, Lake & Palmer, Garland Green, The Dynamics, The Fabulous Counts, and The Fatback Band. 1, Pop No. Aretha Franklin signed with Atlantic in 1966 after her contract with Columbia expired. ")[76] Prager persisted with Atlantic, even though their A&R department and label President Jerry Greenberg repeatedly rejected Foreigner; it was Kalodner's dogged belief in the group (and a live audition) that finally convinced Greenberg to allow Kalodner to sign them and take them on as his personal project. The Clovers' "Don't You Know I Love You" (composed by Ertegun) became the label's first R&B No. Abramson's then wife Miriam ran Atlantic's publishing company and handled most of the office work. Ahmet Ertegun served as founding chairman until his death on December 14, 2006, at age 83.[4]. [26] Billboard said Atlantic's "fresh sound" and the quality of its recordings, arrangements, and musicians was a great advance from standard R&B records. In April of that year, Miriam (Abramson) Bienstock reported to Billboard that Atlantic was selling 75% of its singles as 45s. [22] Their records created some controversy: the suggestive "Such A Night" was banned by radio station WXYZ in Detroit, Michigan, and "Honey Love" was banned in Memphis, Tennessee[23] but both reached No. The trio was formed following a chance meeting between members of three leading 1960s pop groups Stephen Stills, David Crosby of The Byrds and Graham Nash of The Hollies. 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